dice

I am a big BIG fan of Bethesda's Elder Scrolls and I consider Morrowind one of the best games ever made (my top 2 are Morrowind and Doom in no particular order). I have put in only a few hours into Starfield (so far), and I have to say I like it less and less. Primarily my complaints lie with all the loading scenes that break the illusion of an immersive, seamless galaxy to explore. It feels like Skyrim with even more disconnected regions.

In Morrowind you could walk from the wilderness into a city with no observable loading, the only loading screens were upon fast-travel (which was not necessary) or going indoors. As you leveled up, you could learn levitate spells that let you fly over seemingly insurmountable mountain ranges or water breathing spells that let you explore underwater. You could learn water walking and even walk across the ocean from the mainland to the new island included in the Bloodmoon expansion, if you were patient enough and didn't want to fast-travel via ship.

Oblivion did away with some of the crazier things (like Levitation and Water Walking), and added loading screens as you move into cities and this trend sadly continued into Skyrim. And yet, I still loved those games and devoured them, spending hours. Something about the ability to look at the horizon and say "I'm going to walk to there" was very captivating.

In Starfield, you get loading screen after loading screen, moving from location to location, outdoor to indoor, in and out of spaceships, launching from the surface, grav-jumping, etc. I know this criticism is not incredibly insightful or novel; many folks have already complained loudly about this online and contrasted it against the illusion of seamlessness in No Man's Sky. I know I'm just adding to the din, but I can't help myself, my disappointment is as vast as the regions in Starfield are not.

There are no enormous planets floating in endless space. You're just an ant hopping from leaf to pretty leaf trying to cross a river. I expected so much more.

I will give it a few more hours, but sadly it's been a dud for me so far. Anybody have a recommendation for a modern open world game that knows how to maintain the illusion?

§1376 · January 18, 2024 · Entertainment, Games, Microsoft · 1 comment ·


music

Apropos of nothing, to the person who once said to me that the 1990s had no good music, I offer a list of 40 albums worth owning. This list has a good drubbing of obvious Alternative Rock and Brit Pop picks, but banks and dips into Shoe Gaze, Noise Pop, Trip Hop, and Electronica, which are more recent musical interests of mine. I own other albums from the nineties that are Canadian Rock-weighted (Tragically Hip, Tea Party, Odds):

  • Heaven or Las Vegas by The Cocteau Twins, 1990
  • Gala by Lush, 1990
  • Achtung Baby! by U2, 1991
  • Ten by Pearl Jam, 1991
  • Nevermind by Nirvana, 1991
  • Loveless by My Bloody Valentine, 1991
  • Blood Sugar Sex Magik by Red Hot Chili Peppers, 1991
  • Screamadelica by Primal Scream, 1991
  • Peng! by Stereolab, 1992
  • Lazer-Guided Melodies by Spiritualized, 1992
  • So Tonight That I Might See by Mazzy Star, 1993
  • Siamese Dream by The Smashing Pumpkins, 1993
  • Debut by Björk, 1993
  • G-Stoned by Kruder & Dorfmeister, 1993
  • Zooropa by U2, 1993
  • Dummy by Portishead, 1994
  • Superunknown by Soundgarden, 1994
  • Weezer by Weezer, 1994
  • Post by Björk, 1995
  • (What's the Story) Morning Glory? by Oasis, 1995
  • Mellon Collie and the Infinite Sadness by The Smashing Pumpkins, 1995
  • The Bends by Radiohead, 1995
  • Exit Planet Dust by The Chemical Brothers, 1995
  • Electr-O-Pura by Yo La Tengo, 1995
  • Odelay by Beck, 1996
  • Emperor Tomato Ketchup by Stereolab, 1996
  • Among My Swan by Mazzy Star, 1996
  • Ok, Computer by Radiohead, 1997
  • Urban Hymns by The Verve, 1997
  • Ladies and Gentlemen We Are Floating in Space by Spiritualized, 1997
  • Homogenic by Björk, 1997
  • Opera by Tosca, 1997
  • I Can Hear the Heart Beating as One by Yo La Tengo, 1997
  • Northern Star by Groove Armada, 1998
  • Mezzanine by Massive Attack, 1998
  • Moon Safari by Air, 1998
  • Music Has the Right to Children by Boards of Canada, 1998
  • Glee by Bran Van 3000, 1998
  • Vertigo by Groove Armada, 1999
  • Surrender by The Chemical Brothers, 1999

That 1997 tho.

And since I want to keep the party going, here's an extension of this list into the first half of the 2000's, 20 more albums too good to leave off:

  • Since I Left You by The Avalanches, 2000
  • Felt Mountain by Goldfrapp, 2000
  • Kid A by Radiohead, 2000
  • And Then Nothing Turned Itself Inside-Out by Yo La Tengo, 2000
  • Simple Things by Zero 7, 2001
  • Amnesiac by Radiohead, 2001
  • Comfort Eagle by Cake, 2001
  • Goodbye Country (Hello Nightclub) by Groove Armada, 2001
  • Charango by Morcheeba, 2002
  • Machine Says Yes by FC Kahuna, 2002
  • Lost Horizons by Lemon Jelly, 2002
  • Details by Frou Frou, 2002
  • Elephant by The White Stripes, 2003
  • Black Cherry by Goldfrapp, 2003
  • Talkie Walkie by Air, 2004
  • When It Falls by Zero 7, 2004
  • Lemon Jelly.ky by Lemon Jelly, 2004
  • The Campfire Headphase by Boards of Canada, 2005
  • Haughty Melodic by Mike Doughty, 2005
  • The Cosmic Game by Thievery Corporation, 2005

I guess it's kind of easy to look back twenty years into the past and peer at "the best of" with the rosy hue of critical acclaim and record sales, but man, do I enjoy the music. Please drop me notes on what I've missed or what I should pick up from the next twenty years!

§1286 · January 3, 2024 · Entertainment, Music · (No comments) ·