I’ll try to keep this one short – it’s not exactly tech-related, but it kinda is. A tiny story about a tiny story that you might enjoy, in three parts.

Part One

I got into some speculative short story reading during the pandemic and Ray Bradbury was one author I got into. I think it started with some of my comic book research from the 1950s. Now I won’t go as far as Rachel Bloom on ol’ Ray, but the man definitely knew how to spin a yarn. In terms of sheer volume of interesting ideas, he beats out Isaac Asimov for me big time.

Anyway, in 1950 Ray Bradbury wrote this great short story called “The Veldt”. It’s only 13 pages and, rather than read a synopsis about the story, I think you should read it. Here’s a free copy I found, though I noticed some typos. G’wan read it, I’ll wait.

Back? I thought it was great, what about you? I think it’s got a lot to say about how tech has invaded our lives, de-sensitized us from each other, maybe other things that are way over my head. And it holds up today – nice and dark.

Part Two

Ever hear of deadmau5? He’s an electronic music artist from my homeland. Not sure if you’re into progressive house or the techno scene, but the guy has earned a lot of awards for his work. Anyway, he wrote a song called The Veldt in 2012 (the year Ray Bradbury died). Here you should watch the video:

Rolling Stone thought it was one of the 50 best songs of 2012. My musical wheelhouse is more the 1990s and early aughts, but I really love the tune.

Part Three

And how did this come to be? Apparently deadmau5 created the music in a “22-hour live streaming session” back in March 2012. Crazy, but what’s even crazier is that one day later, deadmau5 discovered that a fan named Chris James had posted vocals for the track. He was ready to shred the guy on his live stream but instead this happened:

So yeah, that music video you watched, the song that officially landed on the album, the one that Rolling Stone thought so highly of, is the combination of deadmau5 and Chris James’ vocals weaved together over the course of 48 hours.

In some way, I find this a satisfying balance to Ray’s meditations on technology… Anyway, I’m off to play in Africa!